It’s a process that can make the most obvious difference to your projects in the eyes of your clients, so it’s a very good thing to know how to do, and it’s critical that your NLE allows you to do it easily and to do it well. In the last few years, color correction has come to be used directly by editors instead of separately by colorists. One of the many strengths of Avid is the method of applying color correction. Avid has long been the overwhelming NLE of choice for major feature films and primetime scripted TV shows.
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